Huddle in The Closet in Shoebox Projects

Huddle #3 in The Closet in Shoebox Projects

 

The remaining postcards from our first two Huddle exhibitions are here online (below) for a discounted rate of $10 (marked down from $25) with 100% of proceeds going to ACLU, Planned Parenthood and the Trevor Project. Huddle #1 raised $1500. You can also view them in person on April 20th from 3-6 during the reception. 

Send an email to shoeboxprojectsla@gmail.com letting us know which postcards you would like to purchase (artist names/numbers in captions) and you can pay either via check or paypal (kristineschomaker@gmail.com). We will mail your postcard to you once payment is received. 

The #equalityforall #resist postcard art show

Hosted by Shoebox Projects and Art and Cake

Curated by Kristine Schomaker
Sponsored by Shoebox PR

From womensmarch.com…

“First, we marched. Now we Huddle. We will gather together in our neighborhoods all over the world to define our next steps, and envision how to transform the energy we saw at Women’s Marches into local and national action.

Huddle (n.) – a small group of people holding an informal conversation”

I was part of a recent huddle in Los Angeles. It was an amazing experience to feel like we aren’t alone in our thinking about the current political climate. We talked about what is going on in our country and what we could do to make a difference.

Sales: All work is donated to the show and sold for a suggested donation of $25 each. 100% of proceeds will be donated equally to the ACLU, Planned Parenthood and the Trevor Project. Payable by Check, Cash or Credit Card (additional fees may apply) at the reception.

Thank you for sharing your voices!!

Huddle #2 – Online Fundraiser

HUDDLE #2 ONLINE FUNDRAISER!

 

The remaining postcards from our first 2 Huddle exhibitions are here online (below) for a discounted rate of $10 (marked down from $25) with 100% of proceeds going to ACLU, Planned Parenthood and the Trevor Project. Huddle #1 raised $1500.

Send an email to shoeboxprojectsla@gmail.com letting us know which postcards you would like to purchase (artist names/numbers in captions) and you can pay either via check or paypal (kristineschomaker@gmail.com). We will mail your postcard to you once payment is received. 

The #equalityforall #resist postcard art show

Hosted by Shoebox Projects and Art and Cake

Curated by Kristine Schomaker
Sponsored by Shoebox PR

From womensmarch.com…

“First, we marched. Now we Huddle. We will gather together in our neighborhoods all over the world to define our next steps, and envision how to transform the energy we saw at Women’s Marches into local and national action.

Huddle (n.) – a small group of people holding an informal conversation”

I was part of a recent huddle in Los Angeles. It was an amazing experience to feel like we aren’t alone in our thinking about the current political climate. We talked about what is going on in our country and what we could do to make a difference.

Sales: All work is donated to the show and sold for a suggested donation of $25 each. 100% of proceeds will be donated equally to the ACLU, Planned Parenthood and the Trevor Project. Payable by Check, Cash or Credit Card (additional fees may apply) at the reception.

Thank you for sharing your voices!!

Introducing The Closet in Shoebox Projects with Martin Cox’s Museum of Ennui

Martin Cox’s Museum of Ennui opening Saturday March 17, 3-5pm

Martin Cox
Museum of Ennui

Grand Opening of ‘The Closet in Shoebox Projects’ presented by the Shed Collective

March 17th – June 3rd, 2018
Opening reception: Sunday, March 17th, 3-5 p.m.

May also be seen by appointment

The Closet at Shoebox Projects
660 S. Avenue 21, #3
Los Angeles, CA 90031

https://shoeboxprojects.com/

Martin Cox


http://museumofennui.org/

Boredom-as-Catalyst in Martin Cox’s Museum of Ennui at The Closet

(Los Angeles, California) – The Shed Collective was created when four artists decided to host art events in their sheds and closets. Coined “the alternative to alternative galleries” a group of sister galleries emerged. Inspired by spaces like “Elevator Mondays” and Gallery 1993 and believing that artists have to create their own opportunities to exhibit and curate, the first show opens at “The Closet” an annex in the Shoebox Project space at the Brewery on March 17th from 3-5pm.

As an experience, The Shed Collective attempts to capture the imagination in its challenging of existing modes of presentation of contemporary art. It responds both to the artist’s need to experiment and curator’s need to stage exhibits in unconventional spaces in order to engage new dialogues. Seen together, The Shed Collective fluidly explores both artistic and curatorial conditions in its varied spaces. Formed by Kristine Schomaker, Cathy Immordino, Sheli Silverio, and Diane Williams, the group aims to more efficiently enact the presence of art in varied communities throughout Los Angeles and capture a unique sense of diversity and character within each of its spaces and projects.

L.A.-based artist Martin Cox’s Museum of Ennui, another alternative project, will inaugurate The Closet as the first exhibition. Mr. Cox has long examined places where natural and man-made worlds meet. The artist’s capturing of landscapes, often abandoned or vacated shelters, and other artifacts inject the past within the present, as a site of imagination and evolution. Cox refers to these spaces of possibility and potential doom in his most recent project, The Museum of Ennui that began at Fjuk Art Center Residency in Iceland. Shifting modes from his own singular production, Cox reached out to a wide range of artists all over the world. The artist asked each participant to produce a piece of art in response to their own reflections of ennui. The word, Cox feels, has been wrongly perceived as a condition of debilitating despair and lethargy. The artist’s investigation brings historical and literary dimension in championing its connotations of boredom and melancholy as necessary to human invention throughout history.

Inspired by the museums often dedicated to a single subject or person dotted throughout Iceland, Cox developed the Museum of Ennui, as a mobile object that could alter in form and travel with all of its elements contained within its apparatus. In its second iteration for the Closet called Museum for One, the artist has added new additions from artists he is in contact with throughout the globe, as well as text and sound pieces. Though mostly digital photographs, Museum for One also includes drawings and mixed-media works. The piece’s title refers not only to The Closet’s architecture, who’s maximum capacity is one person, but the concept of ennui as a state of being solitary.

21 artists will be represented at the museum of ennui including visual, literary and sound artists from the US, UK, Iceland, Canada, India, Germany, and France have responded with small art works. Participating artists: Anna Amethyst, Cynthia Minet, Douglas Hill, Gary Edward Jones, Jessie Rose Vala, Julie Murray, Katrina Alexy, Kim Abeles, Kirthana Devdas, Kristine Schomaker, Maggie Lowe Tennesen, Marina Rees, Martin Cox, Nataliya Petkova, Röðull Reyr Kárason, Rose Portillo, Ryan Hill, Sally O’Reilly, Sara Jane Boyers, Scott MacLeod, Thora Solveig Bergsteinsdottir.

Feminism Now

Feminism Now
Visual Art Exhibition by the Feminist Image Group, Shoebox Projects and Krogen Amerika

Opening reception: Sunday, February 25, 2018 3-6 p.m.
On view: February 24 – March 11, 2018

Shoebox Projects, Los Angeles
660 South Avenue 21 #3
Los Angeles, CA 90031

http://www.shoeboxprojects.com
https://www.facebook.com/shoeboxprojects/
https://fig-art.blogspot.com/

(Los Angeles, California) – Members of the San Diego Feminist Image Group, Shoebox Projects and the Swedish Group Krogen Amerika present artworks that explore multiple visions of what feminism is today, in the context of Southern California and Northern Europe. Artists address the complexity of gender equality through themes such as sexism, body image, class, race, politics, spirituality, domesticity, biology, and history.

This exhibition will travel to Stockholm, Sweden in May 2018.

The public is invited to attend the opening reception on Sunday, February 25, from 3-6pm at Shoebox Projects in the Brewery Arts Complex, Los Angeles. Artists will be present to engage the public.

The Feminist Image Group was formed in 2009. FIG is a coalition of San Diego visual artists who meet to discuss art, see exhibitions, and support one another in our careers. We work across many media, including drawing, painting, photography, sculpture, installation, digital media and performance. The group has had exhibitions at San Diego Mesa College, Art Produce Gallery, Hyde Gallery at Grossmont College, Art San Diego Artfair, and has an upcoming exhibition at the Women’s Museum of California.
“Krogen Amerika” is the name of a Swedish printmaking group in the region of Östergötland in Sweden. The group works out of a a red wooden house from 1704 in the very center of the Swedish city of Linköping. During the years, it has functioned as a private home, a local pub, and a meeting place for emigrants to America (hence the name of the house, “Krogen Amerika”). Now it is a fully functional printmaking studio and art gallery. This artist-run gallery and studio space is partly funded by the city of Linköping. About 20 artists work here, and also together manage the space, with the support from the local community. The gallery exhibits artists from all over Sweden. Krogen America has exhibited as a group at Norrköpings Museum, Östergötlands Museum, Grafiska Sällskapet, the Palo Alto City Hall, Odense Konsthall Danmark, Berlin Kunstfactor.

Participating Artists:

Agneta Östlund, Amy Paul, Ann Olsen, Anna Stump, Anna Zappoli, Anne De Geer, Åsa Kvissberg, Berit Hammarbäck, Bhavna Mehta, Bibi Davidson, Caroline Färnström, Catherine Ruane, Cathy Immordino, Cecilia Uhlin, Chenhung Chen, Christina Ruthger,, Cindy Zimmerman, Dani Dodge, Daphne Hill, Diane Williams, Dwora Fried, Emily Blythe Jones, Emily Wiseman, Erika Lizée, Ginger Rosser, Grace Gray-Adams, Hannah Johansen, Hasti Radpoor, Helen Redman, Irene Abraham, Isabelle Nilsson, Jane Szabo, Janice Grinsell, Jeanne Dunn, Jennifer Bennett, Jenny Treece Jorup, JJ L’Heureux, Judy Christensen, Kathi McCord, Kathleen Mitchell, Kathy Miller, Kathy Nida, Kim Niehans, Kit Aaboe, Kristine Schomaker, Lauren Carrera, Lena Möller, Lena Wiklund, Linda Litteral, Linda Rae Coughlin, Lisa Hutton, Marina Holmberg, Moya Devine, Nilly Gill, Nurit Avesar, Petrina Cooper, Pia Göransson-Lie, Prudence Horne, Randi Leirnes, Randi Matushevitz, Samantha Fields, Samuelle Richardson, Sheli Silverio, Stacie Birky-Greene, Stephanie Bedwell, Susan Amorde, Susan Osborn, Susan T. Kurland, Terri Hughes-Oelrich, Terrilynn Quick, Yasmine Diaz

Leonard Greco – Embodied: St. Anthony and the Desert of Tears

Leonard Greco
Embodied: St. Anthony and the Desert of Tears

Shoebox Projects
660 South Avenue 21 #3
Los Angeles, CA 90031
http://www.shoeboxprojects.com

December 4, 2017 – January 14, 2018
Reception: Saturday, January 13, 2018, 3-6 pm

Shoebox Projects is pleased to announce “Embodied: St. Anthony and the Desert of Tears” a residency and exhibition featuring the work of Leonard Greco. Greco’s residency runs from December 4, 2017 – January 14, 2018 with a reception on January 14, 2018 from 3-6pm.

During his residency at Shoebox Projects Greco will create a new body of work in which he explores the relationship between the solitude of the artist in his/her studio and disruptions from the realities of life. The installation draws from the narrative of “St Anthony of the Desert” and the fact that St Anthony resisted supernatural temptations during his desert sojourn. In this exhibition, Greco will explore his own struggles, making mixed media works that reflect on the temptations of lust, boredom and the perils of isolation.

Leonard Greco is a painter, printmaker and puppet and doll maker. Largely self-taught, Greco has had a successful career as a decorative painter and muralist for over 25 years. His work has been included in numerous exhibitions including, Tomorrow Today at the Pasadena Museum of California Art (2011); Clive Hicks Jenkins, Wales, UK (2012); Kaleidoscope, Couturier Gallery, Los Angeles (2014) and Out There, Gallery, 825, West Hollywood (2016). He had a solo show at Ave. 50 Gallery in 2017 and was also included in numerous exhibitions: Pop-Surreal Playhouse at Artshare LA; Stitch Fetish 5, The Hive, Los Angeles; Pickles Galore, curated by Linda Vallejo, Lamperouge Gallery, Los Angeles; The Faces Within, South Bay Contemporary, San Pedro and With Liberty and Justice for Some, Walter Maciel Gallery, Los Angeles.

For more information on Leonard Greco please visit: leonardgreco.me

About Shoebox Projects
Shoebox Projects is a new experimental art space in DTLA, where emerging and mid-career artists are given an opportunity to freely experiment with new ideas and directions for their practice. Founded by Kristine Schomaker, multimedia artist and director of Shoebox PR, Shoebox Projects intends to give artists a chance to recharge and renew their relationship with their work.

 

Connie Lane at Shoebox Projects at Chip Inn Cabin, Altadena

Connie DK Lane

This installation titled Circling is inspired by the traditional Japanese activities of ema and omikuji. Ema are votive plagues on which worshippers/visitors write prayers or wishes and they are tied to a stand. Omikuji is fortune-telling paper strips that are scrolled or folded up, attached to a tree or tied to a string. Both are in designated areas outside the shrines or temples.

Borrowing from the concepts of ema and omikuji, I used brush and ink drawing circles repetitively on Chinese grid papers, folded them up into strips and tied to the ropes in which I hung outdoors. In this time of constant visual assault in our daily lives, my act of circling serves as a mantra for peace. In the process of drawing and folding over and over and over again, not only do I feel a sense of direct concentration, but it also helps to induce a state of consciousness.

Being away from my studio in Long Beach and daily life, and secluding myself in a rural, isolated residency has provided me a time of reflection and experience working in a different location. Particularly, it has enabled me to explore this installation project in an outdoor environment.

Call for Artists-in-Residence 2018/2019

Rebecca Bennett Duke

CALL FOR ARTISTS

Artist-in-Residence at Shoebox Projects

Los Angeles, California

Deadline January 31, 2018 at midnight PST

 

Shoebox Projects, located at the Brewery Art Community in Los Angeles, California, is a project space that features work-only artist-in-residence space as well as gallery space. Founded in 2016 by Kristine Schomaker of Shoebox PR and Art and Cake, the residency is designed to allow emerging contemporary artists time and space to create new work exploring their practice.

Artists may submit a proposal of a project which will utilize the space as a studio to create new work. The residency will culminate in a solo closing reception that is promoted across Shoebox’s extensive network of art world influencers and press.

Proposals must have a contemporary art focus showing experimentation and career reach for the artist. We are especially interested in projects that involve social practice and push the artists’ work into new arenas of practice or theory. We urge artists to propose involving the public in their creative process.

 

Program Goals:

  • To offer support and space to artists who are ready to move their work forward in the contemporary art landscape;
  • To encourage artists to experiment and explore their concepts amongst a community of artists.

 

Eligibility:

  • The residency is open to Southern California artists only, with a preference to Los Angeles area artists;
  • We are interested in emerging artists who show a strong drive to move their career forward;
  • Mid-career artists will be considered if they can show the residency will provide the catalyst for a significant change in direction.

 

Details of Residency:

  • The period of residency is either 3 or 6 weeks;
  • Residencies begins June 2018 and are being filled through 2019;
  • Cost to the artist is $300 for 3 weeks or $600 for 6 weeks; A $75 non-refundable deposit is required upon acceptance of residency in order to hold your space;
  • The obligation from the artist will include being present within the space a minimum of 20 hours a week;
  • 225 Square Foot Studio/Gallery space at the Brewery Art Colony;
  • A 30% commission will be put on all sold work;
  • The project space is flexible daytime work only (i.e., no live-in accommodation);.

 

To Apply:

  • Letter of interest explaining your specific interest in working with Shoebox Projects along with a proposed idea for utilizing the space;
  • Artist bio;
  • Artist statement;
  • Link to artist website and relevant social media;
  • Selection of 10-15 jpeg images of recent work;
  • Give preferred availability for 2018-2019. and let us know if you would like the space for 3 or 6 weeks.

 

  • Please send your proposal via dropbox to shoeboxpr@gmail.com;
  • Title folder “{your name} – Shoebox Projects Residency”;
  • Email shoeboxprojectsla@gmail.com to alert us that the file is there.

 

We will send confirmation of receipt within 48 hours. Proposals may take 6-8 weeks after deadline to be considered.

 

Dwora Fried and Bibi Davidson
Chenhung Chen
“Off the Wall” – small works show
Diane Williams
Karrie Ross
Katie Shanks, Cece Caro, Stephanie Sherwood
Mike McLain
Susan Amorde
Susan Feldman and Jennifer Gunlock

Bibi Davidson and Dwora Fried – Two Women, One Reality

Bibi Davidson and Dwora Fried “Two Women, One Reality”

Bibi Davidson and Dwora Fried

Two Women, One Reality

Shoebox Residency
September 25 – November 5, 2017
660 South Avenue 21 #3 Los Angeles, CA 90031

On view during the upcoming Brewery Artwalk October 21st and 22nd 11-6pm

For their residency and exhibition at Shoebox Projects, Bibi Davidson and Dwora Fried will collaborate on an installation entitled Two Women, One Reality. Though both artists grew up in the fifties in different parts of the world — one in Israel, the other in Austria — they both vividly remember being left alone as toddlers, watching their parents get ready for a night on the town feeling imprisoned in their cribs, crying; terrified by noises, shadows and ghosts and are using these memories as the point of departure for their collaboration. Through ongoing discussions of these personal experiences Davidson and Fried will translate their memories into an installation. They envision the exhibition as a “fifties room” with a crib, ugly wallpaper and a video filmed by Dwora’s daughter Anjoum Agrama, that evokes a visit to the darker places in their collective psyche—a kind of self portrait of the early days of the artist’s lives and surroundings, that evokes the idea that evil—real or imagined— is lurking around the corner.

Shoebox Projects is a self-directed residency program founded in 2016 by Kristine Schomaker where artists are given space and time to conceptualize and create new works. During a residency, artists have the time and freedom to try out new ideas, open their space to viewers for feedback or embark on collaborations as Davidson and Fried are doing with Two Women, One Reality. Though these artist’s individual practices are quite different— Bibi Davidson is a painter whereas Dwora Fried makes mixed media sculptures and installations, there are overlaps in their subject matter and approaches which makes this and ideal opportunity for collaboration.

Bibi Davidson is an Israeli born, Los Angeles based artist whose illustrative-style works are allegorical representations of the chaotic and unsettling realities of her childhood. Her boldly colored narrative paintings are autobiographical and social commentary while simultaneously layered with elements of humor. They are captivating and purposefully quirky works that investigate personal and universal conflicts, as well as the chaos that defines our times. Through the process of painting, Davidson charms and calms her inner self.

Davidson’s most recent solo exhibition was The Girl in the Red Dress at Gallery 825, Los Angeles (2016). Her work has been featured in numerous group exhibitions throughout Southern California including: Laluzapalooza, La Luz de Jesus Gallery, With Liberty and Justice for Some, Walter Maciel Gallery, Love and Hate, Avenue 50 Studio (2017); A Feminist Perspective, MuzeuMM, Mas Attack, Torrance Art Museum (2016); Day Dreamers, BG Gallery, Sacred Memories, Pico House Gallery, Bunnymania, Chungking Studios and Wilding Cran Gallery (2015). For more information visit: http://www.bibidavidson.com

Dwora Fried is a mixed media assemblage artist who creates both small tableaux in glass fronted wooden boxes and life-sized enterable installations. She grew up in post-war Vienna, where as a Jewish lesbian and child of Holocaust survivors she felt like an outsider and has parlayed these experiences into artworks that explore themes of danger, loss and secrecy. Recent works also comment on the current political climate and the immigrant experience in Los Angeles.

Fried’s most recent solo exhibit was BIG BOX/little box at Gallery 825, Los Angeles (2016). In addition, she had solo exhibits at the Jewish Museum in Venice, Italy (2014), Benedict Gallery in Vienna, Austria (2013), Woolfson &Tay in London, GB (2011). She has been exhibiting in group shows at Elmhurst Art Museum in Chicago (2017), OCCA (2017), Walter Maciel Gallery (2017), Art Share LA (2016), SPARC (2015). Fried also has work in the permanent collection at Vienna’s MUSA museum. For more information visit: http://dworafried.com

Rebecca Bennett Duke at Shoebox Projects

Please join us Saturday September 16th 2-5pm for the culmination of Rebecca Bennett Duke’s residency at Shoebox Projects.

 

Shoebox Projects
660 South Avenue 21 #3
Los Angeles Ca 90031
https://shoeboxprojects.com/

http://rebeccabennettduke.com/

Rebecca Bennett Duke has been using the space at Shoebox Projects to shift her focus from three-dimensional objects back towards drawing with an emphasis on making a connection between two-dimensional work (large format drawings), and three-dimensional work (the “Toys for Imaginary Children” series) while at the same time exploring the limitations of each.

Three-dimensional work accesses sublimated feelings in the viewer through materials that carry with them a complex history. Two-dimensional work relies on the fabrication of space to tell the same story. Both can lie, both can expand on the truth, I seek to find out how the two processes can inform each other beyond one simply being in service to the other.

Rebecca is building sculptures in the “Toys for Imaginary Children” series while she makes drawings that will both result in new sculpture and be a reaction to existing sculpture. The culmination will be a display of both and a written reflection on her findings on the relationship between the two inevitably intertwined bodies of work.

Rebecca Bennett Duke

Material Identity

Material Identity
Cecelia Caro, Katie Shanks, and Stephanie Sherwood

MAY/JUNE 2017

Material Identity
Cecelia Caro, Katie Shanks, and Stephanie Sherwood

Reception: June 3rd 3-6pm
Artist-in-Residence May 1st to June 3th

Shoebox Projects
660 South Avenue 21 #3
Los Angeles, California 90031
https://shoeboxprojects.com/

 

(Los Angeles, May 2017) – Shoebox Projects is pleased to announce its sixth artist-in-residents: the collaborative team of Cecelia Caro, Katie Shanks, and Stephanie Sherwood. They are working in the experimental art space in the Brewery Arts Complex as of May 1st with a reception of work completed during the residency to be held on Saturday, June 3rd, from 3-7pm.

Have you ever found yourself wondering about the gender of the artist upon seeing an artwork? Have you ever found an artwork that you very strongly identified with only to be surprised by the gender of the artist who created it?

Material Identity: Making Art on the Gender Continuum seeks to gain insight into how art is experienced in a society which still clings to gender biases and how it impacts what it means to be a female artist navigating and creating in the contemporary art scene.

In March, the artists began seeking feedback via an online questionnaire:
https://goo.gl/forms/RsuoP7ucIo21Bpyv2 which asked contributors to indicate their initial gender specific associations in regards to a variety of art making choices. This was in order to expose and examine internalized biases—and the stereotypes that are perpetuated through their maintenance. Examples were provided in each of the following categories: color, texture, scale, speed, technique, and genre, and contributors were provided the following five options to express their perceived gender bias:

Mostly Feminine Associations
Some Feminine Associations
Neutral Associations
Some Masculine Associations
Mostly Masculine Associations

Since then, they have received over 100 responses. Using this data, and the materials they have begun to collect and create, the artists will be creating an installation at Shoebox Projects during the month of May. While the survey is by no means comprehensive or scientific, it was fantastic way to begin thinking about preconceived notions we hold about art, who is making it, and how it is created. There are many aspects of the data which the artists plan to address in the piece—one of the most interesting of which is the demographic of the respondents. Those individuals who self-selected to respond to the survey, were predominantly themselves highly educated individuals involved in the arts who identified as either women or nonbinary—giving them a shared background with the artists themselves. Highlighting that perhaps that is the crux of the interest and contemplation of these matters, is a thwarted desire to be able to see oneself in the art that is seen and shown in the art world at large.

The artists conducted a workshop on Saturday, May 20th, where they discussed the survey and asked attendees to take and examine their own internalized biases. From there they discussed their inquiries, findings, and opened up to a wider discussion of gender in the art world before shifting to how to interpret this in the construction of an actual piece of art. The in progress installation was examined, and participants were provided with materials to create their own pieces centered around the conversation.

How will three female artists create a collaborative installation which addresses the nature of gender bias using the language of the artmaking process? Where will they adhere to societal expectations, and how will they subvert them? Visit Shoebox Projects in May and find out!

Cecelia Caro, Katie Shanks, and Stephanie Sherwood met while working on their BFAs in Drawing and Painting at California State University, Long Beach. While working their way through the Drawing and Painting BFA program, they fostered each other’s development as young artists. Since completing their degrees they have remained a strong support system for one another while moving to new cities, developing new bodies of work, and keeping their studio practices as regular as adult life could allow. Katie and Stephanie began collaborating on installation work with their first piece “Unrequited” in March of 2015 and since then have collaborated on several large scale installations as well as a collection of wearable art objects entitled “Meat Market”. Although the artists have very different methods of creating artwork – color, form and drawing have always remained significant their practices.

Shoebox Projects is a new experimental art space in DTLA, where emerging and mid-career artists are given an opportunity to freely experiment with new ideas and directions for their practice. Founded by Kristine Schomaker, multimedia artist and director of Shoebox PR and Art and Cake, Shoebox Projects intends to give artists a chance to recharge and renew their relationship with their work.